We Need More Antagonists Like Gollum

Character & Story Analysis

By Joy Lewis

And not necessarily as villains.

Whether you know him as Gollum or Sméagol, he’s one of the most compelling antagonists of both The Hobbit and The Lord of the Rings by J. R. R. Tolkien. 

Before the events of The Hobbit, Sméagol fell under the corrupting influence of the One Ring when he choked his cousin to death to possess it for himself.

But, like all great antagonists, his character isn’t as straightforwardly evil as you might first believe. In fact, he’s not even a villain.

The difference between antagonists and villains

First, some semantics. Although often used interchangeably, antagonists and villains serve different functions in a narrative.

Zara Altair at ProWritingAid argues that the antagonist is one of the troublemakers in a story. They challenge the main characters, blocking their path as obstacles and creating friction when they want the same–or opposite–thing as the protagonists. A villain is marked by a desire to destroy, inflict pain, or otherwise be bad.

In other words, antagonists are defined by their relationship to the protagonist. They oppose your main character. That’s all. Antagonists can be good, bad, or somewhere in between.

They can even be allies with the protagonists, though rivals or sworn enemies certainly make an antagonist, as well. All that matters is that they get in the way of what our main character wants.

Think, for example, of Ron’s character in Harry Potter and the Goblet of Fire. Ron’s not evil, and while their relationship suffers, he’s never not Harry’s friend throughout the book. On the other hand, it’s Ron’s actions and his distance from him in his time of need that put even more obstacles in Harry’s path before he faces the first tournament task.

On the other hand, villains aren’t always antagonists, though they usually are. This is possible because in infrequent cases, they are the protagonists.

While Sauron is indisputably the villain of The Lord of the Rings series, and a fearsome antagonist for Frodo, he is by far not the only antagonist.

And not even the most interesting one, in fact.

In his quest to destroy the One Ring and prevent Sauron from dominating Middle Earth, Frodo is challenged by no short list of antagonists. The Ringwraiths, orcs, Saruman, Sauron, Shelob, and both Boromir and Faramir (briefly) oppose Frodo.

But there’s something about Gollum that fans keep returning to. And it’s because, at least in part, we’re uncomfortable with Gollum.

He’s a Cain-like figure.

Sméagol’s tale begins on his birthday. His cousin, Déagol, finds a precious ring in the river that they had been fishing in, and when Sméagol demands it as a birthday present, he refuses to give up the ring. The madness of the ring drives him to kill his kin for it.

But it’s what happens after that sets Sméagol on this path. The matriarch of his family, his grandmother, refuses to have him in the family’s home any longer. When the rest of his kind shun him as well, Sméagol retreats to the Misty Mountains as his home.

In the centuries he lived in the darkness, consuming bats, fish, and sometimes Goblin flesh, his will was bent completely by the One Ring. It was then he developed his dissociative identity disorder, and Gollum came to be.

What bothers us about Sméagol/Gollum?

Even aside from his origins, Gollum is a tragic character. Despite some brief cooperation due to Frodo possessing the ring and thus holding power over him, he’s not allied with the good guys.

But he’s certainly not with the bad ones, either. Although, just like how he guides Frodo and Sam to Mordor against his better judgment, he becomes an unwilling pawn for Sauron.

Orcs, men, and hobbits alike despise him upon sight as a “sneak” and low creature.

He has no real allies.

Sometime after Bilbo left the Misty Mountains with the ring, Gollum leaves his caves in search of it. He is compelled to Mordor where he is captured and mercilessly tortured by Sauron for information on the ring.

After Sauron extracts all that he can from Gollum, he releases him in hopes that Gollum will attract the ring from where it’s hidden from his view. And it works.

And it’s Frodo, one of the few people to show him kindness, who draws out the innocent-seeming Sméagol part of his personality. Sméagol more closely resembles the hobbit he must have been before the ring’s corruption. This reminds us that he’s not entirely the monstrous creature he’s initially portrayed as.

It’s these scenes that make him a pitiable antagonist.

Infantilization makes us uncomfortable with hating him.

In the arguments between Sméagol and Gollum, Sméagol is revealed as the “good” part of his personality, who seems to possess morals and something like compassion and kinship.

He strives to obey and please his “master” and hardly dares speak against him even in confidence. The character of happy, naive Sméagol is infantilized in the narrative.

This makes it uncomfortable to hate him, even after he plots with Gollum to take back the precious.

It’s much easier, psychologically, to despise absolute evil such as Sauron. As Ursula K. Le Guin put it, “Immature people crave and demand moral certainty: This is bad, this is good.”

However, Sméagol isn’t neatly bad or good.

Sméagol’s childlike characterization is juxtaposed with what feels like one of the worst crimes portrayed in The Lord of the Rings. Sméagol’s sin of fratricide.

Gollum occupies a space that’s uneasy for the audience to watch. It’s why we need more antagonists like him.

Tolkien expertly flips our expectations. Gollum isn’t a villain, though he has committed a crime that feels more personally gruesome than the uncountable, faceless sins of the undisputed villain of The Lord of the Rings.

However, it’s the moral uncertainty and complexity of Gollum that make him a far more compelling antagonist.

What do you think about Gollum’s role as antagonist?

What happened in A Curse of Silver? A Quick Recap before A Dance of Gilded Lies

A Curse of Silver

In a world in which magic is almost always dangerous and out of control, having Silverblood in your veins is against the laws of the kingdom and Guild. For years, the royal family and the Guild of Magic Control have been two separate but equally powerful entities, which has caused tension in the past of one overstepping the authority of the other. Silverbloods (people who are discovered to have magic inside them) are hunted down, captured, and held by the Guild for the good of everyone.

One day, formerly homeless kitchen worker Everin wakes to a dreaded discovery: she’s one of the dangerous ones. What’s more, the Guild has arrived at the castle and apparently set fire to the area from finding this infestation of magic.

Prince Alaric, youngest of the three heirs to the crown, meets Everin for the first time, and he explains that he has been watching her before today. The two of them both have Silverblood (likely causing such a strong response from the Guild’s detection meters), and he says the Guild has slit the throats of his parents and eldest brother in their zealotry.

After Alaric shows Everin their possible only hope, an ancient book with a spell to hide their Silverblood nature in it, they flee the castle together to find missing pages torn from its binding.

The two travel across the kingdom, stopping at various cities and villages in search of the two missing pages of the ritual. As they ride, they are nearly caught in the woods by the Guild’s hunters. Everin uses her magic to save them, but ends up inadvertently killing many of the hunters on their tail. She is haunted by this. Will her Silverblood magic will drive her to madness if she uses it too much?

Throughout this time, Alaric hints that he thinks Everin is attractive and might have feelings for her. But as a peasant girl born into poverty, Everin feels the differences between her and Alaric are too stark to overcome. Despite this, the two share a kiss at a festival while being hunted by the Guild. They wear masks to disguise themselves, pretending they are only two young festival attendees in love.

They don’t have much luck finding the missing pages until they reach the capital. Everin goes by herself to ask a rare books shop for the pages, but the shop worker acts strangely to her written request. He gives her two papers, one clearly torn from their ancient book and the other a handwritten note. Everin can’t read and considers that the worker might be taunting her for her illiteracy. However, she doesn’t show Alaric the handwritten note.

The two share a night together before attempting the first part of the ritual detailed in the page. After, they are nearly caught by the Guild’s hunters again. During the chase, Everin finds that the first part of the ritual seems to have worked, and she can’t manage to use her magic. Alaric saves them instead, causing terrible destruction throughout the area and killing several people, including at least one innocent. In the wake of this, Everin separates from Alaric and her horse.

As she processes what they’ve done and hides from the hunters scouring the woods for her, she discovers the page from the rare books collector is a note to her to teach her how to read. Using her new ability and a wanted notice of her, Everin discovers that the public doesn’t know Alaric has Silverblood and thinks that Everin has captured the prince. Something doesn’t add up.

Everin and Alaric meet up in the woods again and briefly form a plan. Alaric’s surviving brother, Aleksander, is hunting Everin on behalf of the Guild. Alaric says he is prejudiced against Silverbloods and would kill Alaric if he found out he was one. Thus, they craft a fake hostage situation so that Prince Aleksander lets Everin and Alaric go.

During this time, Everin has decided she will protect Alaric’s Silverblood secret even after they both stifle the magic from their blood, preserving the idea that she was the villain and his captor. This shatters the earlier possibility that they could have a future together. This way, the kingdom need never know that one of its princes had cursed magic.

Everin’s plan is to part ways with Alaric after the full ritual and hide her true identity for the rest of her days.

The two arrive at the burnt castle where Alaric has suggested the last page might remain, but Everin feels his behavior is off. He leads them upstairs to his father’s study, and he suggests she look for a hidden compartment where the last page might remain. Everin peeks out a window and sees smoke in the distance, suggesting the Guild might already be on their way.

Alaric is preparing for the ritual already, and she discovers there is no second page. Using her new—although weak—ability to read, she sees that the ritual is not what she thought it was.

Prince Alaric is intending to sacrifice Everin’s life to steal her Silverblood magic for himself. He already stole most of it from her, in fact. Before he can kill her to make this permanent, Everin slices open his throat, spilling the stolen Silver and taking back her cursed magic.

In the epilogue, soon-to-be King Aleksander has already found Alaric’s mangled body and is out for revenge on the Silverblood monster who took his younger brother from him.

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